Winner Life Framer. Home Sweet Home.

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We’re delighted to present the results of our April 2021 competition judged by conceptual documentary photographer Marion Tandé – Manager of the Department of Photography at The Museum of Modern Art (MoMA), New York.

“While beautifully shot, an image of a fairground Ferris wheel may not immediately conjure ideas of home. But we learn from Tara’s statement that it’s from a project documenting a ‘fairground family’ who travel from location to location earning a living from this giant contraption. That knowledge gives this image a real emotional weight – this young girl looking across a town’s rows of houses, knowing that in a few days she’ll pack up and move on again. It’s wonderful image, capturing the melancholy that must come with a lack of belonging in any one place, despite the excitement and adventure of such a lifestyle one might imagine from an outsider’s perspective.” – Life Framer

Photographer statement – From the series The Ferris Wheel Kids. “Louis and Jan have always lived the carnival life. They travel from fairground to fairground with their Ferris wheel, living life in constant motion. This portrait series examines life between wheels, the family unit and the unshakeable bonds of brotherly love. In 2014 I started following Louis and Jan with my camera. I made a short film documentary about Louis’ last summer before he had to move to a boarding school in order to attend high school. The years after that I kept coming back curious to see if the strong family unit would change. Now Louis is back from high school and living with his parents again although this time he has his own mobile home, his own fun fair ride and a girlfriend. Despite always on the move I feel an enormously strong sense of home and family bonds with this fun fair traveling family.”

Vevam

Very happy with the contribution from Vevam Directors Fund for the research of my new project!

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Guernsey Photography festival.

Excerpt of video for Guernsey Photography festival. In this excerpt I talk about the process and development of my project Perfect Pearl. Due to the lockdowns and not being able to travel it has changed again! But the core remains the same.

DE RABO PHOTOGRAPHIC PORTRAIT PRIZE LONGLIST 2020

Lize Korpershoek maakte een intieme film over haar gebrek aan zin in seks. Een controversieel onderwerp, zo blijkt. Lize stelt zich kwetsbaar op – en op die manier wilde Fallaux haar ook portretteren: kwetsbaar, mooi en krachtig tegelijk. Het portret maakte Fallaux in opdracht van Volkskrant Magazine.

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Louis van het Reuzenrad in Volkskrant Magazine

‘Louis van het reuzenrad’ heeft nu zijn eigen, woeste attractie, een vriendin – Antoinette van de suikerspinkraam – en is geen kermiskind meer, maar een kermisman. Onveranderd is zijn ontwapenende karakter. Fotograaf Tara Fallaux bleef het gezin volgen na haar gefilmde documentaire uit 2013.
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Link Volkskrant Magazine

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BUY MY DARLINGS!

I helped organise a new one day only photography festival/ sale. Initiative by photographer Martijn van de Griendt. I will be selling my limited edition series LIVING ON THE EDGE and some other prints as well.

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The Atlantic

Love Letters has been selected by The Atlantic Selects! People outside of Holland and Belgium can now watch the film here.

THE ATLANTIC SELECTS

Intimate Love Letters, Read Aloud

Jan 22, 2019 | 710 videos 
Video by Tara Fallaux via HALAL Films

“Dear Noortje: Why, I sometimes wonder, do so many love letters start with ‘I meant to write sooner,’ or ‘I should write to you more often,’ or a more fanciful variation of the same?” reads a young man in Tara Fallaux’s short film. “Maybe because people are lazy and, in their daily lives, easily find an excuse for that laziness,” the man ventures, “while it’s harder to justify on paper. Maybe the reason is deeper.”

Those reasons and more are explored in the exquisite documentary Love Letters, from the Amsterdam-based production company HALAL Films. Fallaux trains the camera on various couples as they read each other heartfelt letters and openly discuss their relationship. We also hear from single people, who read letters they wrote to ex-lovers while reflecting on the trials and tribulations of these life-changing relationships. Love Letters is an intimate rumination on the project of love—and, ultimately, the virtues of vulnerability.

Fallaux got the idea for the film after receiving an unexpected love letter from a longtime friend. After considering it, the filmmaker decided to store the note in a box full of other important letters she’d previously received. “I realized what a treasure box it was,” Fallaux told The Atlantic. “It was a lifetime of stories, shared thoughts, feelings, and events I had forgotten about. While reading them, the letters brought me right back, almost like time-traveling.”

She began research on the film, only to quickly realize that finding subjects would be more difficult than she had anticipated. “Most of the people I spoke to loved the idea, and were happy to share their stories with me,” Fallaux said. “However, hardly anyone dared to participate in the film. Too intimate, too painful, too naked.” Eventually, the filmmaker found participants who were willing to step out of their comfort zone and appear on camera. According to Fallaux, the subjects that appear in the film “strongly believe in encouraging people to be more open in expressing their feelings and insecurities.”

“I was afraid my heart would be broken,” a young woman in the film offers her boyfriend, by way of explanation for her initial reticence about the relationship. “I was afraid that someone would get to know everything I don’t accept about myself.”

Another man reads a letter in which he struggles to find words to encompass his feelings for his ex-girlfriend. “Where did it go wrong?” the letter to the ex reads. “I don’t know. I’m unable to write to you because I still don’t know what to say. I’m afraid I won’t do justice to you, or to myself. To our time together.”

To illustrate how she feels about love letters herself, Fallaux quotes one of the young men from the documentary, who says that writing a love letter is akin to sharing a diary. “It’s something extremely personal,” Fallaux said. “Something that leaves you exposed. I think everyone has a need to be heard and noticed, so receiving a letter feels very precious. And it appeals to the senses. You can feel the paper, smell the ink, enjoy someone’s handwriting. And you can save it. The letter becomes an extension of the writer, capturing a particular moment in time that the receiver can keep forever.”

“Making this film,” she added, “is my ode to the strength of vulnerability.”


Slideluck Editorial and Leica award!

My project Wild Poppy is going to travel! It will start in Barcelona at Docfield with the show ‘Love me Tender’ by Slideluck Editorial. After Barcelona Love me Tender will take Wild Poppy to Brazil and Nigeria.

And last but not least Wild Poppy won the Leica Award at the Love me Tender show.

I will be able to complete a new body of work with Leica equipment.

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